Since the 1980’s, Zobernig’s practice has moved nimbly among painting, sculpture, video, architectural intervention, institutional critique, and performance in an ongoing interrogation into two of the central tropes of twentieth century painting: the grid and the monochrome.
Vittorio Brodmann, Louisa Gagliardi, Renaud Jerez, Sasha Litvintseva, Stuart Middleton, Richard Parry, Mark von Schlegell/Timothy Furey. Curated by Steve Bishop and Richard Sides