through November 18th 2012
For his exhibition at the gallery, Gillick adopts an aesthetic more often associated with the bureaucracy of social systems, which he examines through a broad spectrum of media. An installation consisting of wall texts and pin boards is combined with an architectural construction that surrounds a projector screen, displaying a film that interweaves three specific sites of social and architectural history in New York. Through situating the film within this physical framework, Gillick illuminates the motives behind the structures depicted in the film.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.