through March 7th 2014
Étienne CHAMBAUD, Julian CHARRIÈRE, Ayan FARAH
Friday, January 31, 2014
Thursday, January 30, 2014
Family: group show - IMO - Copenhagen
through March 8th 2014
Jesper Dyrehauge, Luca Frei, Daniel Steegmann Mangráne, Amitai Romm, Sofie Thorsen
Wednesday, January 29, 2014
Tuesday, January 28, 2014
Monday, January 27, 2014
Sunday, January 26, 2014
Saturday, January 25, 2014
Friday, January 24, 2014
HENRY CODAX - MICHAEL THIBAULT & SHOOT THE LOBSTER - LA
through March 9, 2014
“Colors are everywhere, in every situation.
A monochrome painting isolates what is ubiquitous.
Like drawing a square in the sand at the beach.”
- HENRY CODAX
Thursday, January 23, 2014
Jesse Greenberg - Derek Eller Gallery - NYC
through February 8th 2014
The biological forms evoked by Greenberg’s wall works and small sculptures are as familiar as they are discomforting. Composed of urethane resin and colored pigment, the works contain percolating bubbles and a flowing alchemy, a painterly quality complimented by a palette that is alternately seductive and repulsive. Greenberg says, “I’m witness to these bizarre fluid moments, and though I’m making sculpture, my medium is liquids, and the membranes that contain them.” His work reflects back to the post-minimalism of Eva Hesse and Lynda Benglis and forward to the post-human future conjured by David Croenenberg and a new generation of visual artists.
Wednesday, January 22, 2014
Tuesday, January 21, 2014
Albert Mertz - Watch Red-Blue T.V. - TIF SIGFRIDS - LA
through March 1st 2014
Albert was a Danish artist who lived from 1920 until 1990 and spent the last twenty-two years of his life working with what he called The Red-Blue Proposition. Every day he painted things red and blue. Paper, cardboard, canvases, and the chair he sat on, the wrapping of cigarette packages he smoked, the envelopes of letters he received. Half red. Half blue. Once you know Albert, you’ll begin to notice what a popular color combination this is. For several years now, we’ve been thinking of Albert Mertz and nearly everywhere we go, something reminds us of him.
more
Saturday, January 18, 2014
TOO SOON: group show - Perry Rubenstein Gallery - LA
through March 1st 2014
Animal Charm, Jeff Baij, Petra Cortright, Sam Davis, Hazel Hill, Marc Horowitz, Dwyer Kilcollin, Spencer Longo, Michael Manning and Jesse Stecklow
curated by SANTI VERNETTI
Friday, January 17, 2014
Thursday, January 16, 2014
Wednesday, January 15, 2014
ARSENIO: group show - 13 Rue de la Porte Neuve - Luxembourg
through January 23rd 2014
Henry Codax, Florian Drexel, Ryan Foerster, Agnes Lux, Rose Marcus, Servane Mary, Andy Meerow, Johnny Mulllen, Eli Ping, Carlos Reyes, Christopher Rivera, Peter Sutherland, Ben Sansbury, Steinman and Tear, Ryan Wolfe
Curated by James Cope
Tuesday, January 14, 2014
Monday, January 13, 2014
Morgan Fisher - Exterior and Interior Color Beauty - Internationa Art Objects - LA
through February 22nd 2014
The paintings are enlarged facsimiles of paint chips for colors for domestic exteriors and interiors in Exterior and Interior Color Beauty, a booklet produced in about 1935 by General Houses, Inc., a manufacturer of prefabricated houses founded by the artist's father, Howard T. Fisher.
Sunday, January 12, 2014
Saturday, January 11, 2014
Thursday, January 9, 2014
Wednesday, January 8, 2014
Stay in Love - group show - Lisa Cooley/Laurel Gitlen - NYC
through February 2, 2014
Lucas Arruda, Bernd and Hilla Becher, Wallace Berman, Sebastian Black, Andy Boot,Andre Cadere, Hanne Darboven, Tacita Dean, Peter Dreher, Maureen Gallace, Jef Geys, On Kawara, Yayoi Kusama, Jochen Lempert, Jean-Luc Moulène, Linda Fregni Nagle, Roman Opalka, Josh Smith, Kyle Thurman, Miroslav Tichý, Mierle Laderman Ukeles, Claude Viallat and B. Wurtz
curated by Chris Sharp
Sunday, January 5, 2014
Saturday, January 4, 2014
Friday, January 3, 2014
Thursday, January 2, 2014
Diane Simpson - JTT - NYC
through January 12th, 2014
Chicago based artist Diane Simpson creates work that evolves from a diverse range of clothing and architectural sources. She begins her practice by making an isometric drawing of a three-dimensional object, such as an apron or a catcher’s bib, and focuses on abstracting the object in part by incorporating an apparatus for the object: a stand or other means of hanging the object in space. Using this drawing as a schematic, she then re-constructs a three-dimensional object from the two-dimensional rendering. In a 2010 essay, curator Lynne Warren accurately refers to Simpson as a “shape-sifter”.
Wednesday, January 1, 2014
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