through April 26th 2014
Monday, March 31, 2014
Sunday, March 30, 2014
Saturday, March 29, 2014
Friday, March 28, 2014
Thursday, March 27, 2014
Wednesday, March 26, 2014
Tuesday, March 25, 2014
Monday, March 24, 2014
Sunday, March 23, 2014
NO GROUND BUT SAY GROUND: group show - Halsey McKey - East Hampton
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through March 30th 2014
BIANCA BECK, LISA BECK, JOSH BLACKWELL, JOSH BRAND, PATRICK BRENNAN, CHERYL DONEGAN, MICHAEL GOLDBERG, KIM GORDON, ROB HALVERSON, ROBERT JANITZ, LINDA MATALON, RAY PARKER, PATRICIA TREIB, JULIA ROMMEL, YORGOS SAPOUNTZIS, VALERIE SNOBECK
curated by JOE FYFE
Saturday, March 22, 2014
Wednesday, March 19, 2014
Tuesday, March 18, 2014
Monday, March 17, 2014
LENS REFLEX: group show - Thomas Duncan - LA
through APRIL 19, 2014
ZOË GHERTNER, JACOB KASSAY, EILEEN QUINLAN, STEPHEN PRINA, H. ARMSTRONG ROBERTS, TORBJØRN RØDLAND
Lens reflex brings together a group of works that I feel employ a sensitivity to the camera as a tool and a sensual use of the photographic apparatus. The works selected both allow and utilize the tool’s ability to create a tertiary, magic-like, presence within the objects it creates. The exhibition attempts to indirectly address the specificity of the camera and the mechanical process that produces an object which is separate yet tied to it.
CURATED BY STEVEN BALDI
Sunday, March 16, 2014
LE SALON PARTICULIER: group show - Freymond Guth - Zürich
through March 29th 2014
A program of films, music and social events. Furniture from the collection of Angela Weber. Works by Marc Bauer, Heidi Bucher, Virginia Overton, Sylvia Sleigh, Loredana Sperini, Megan Francis Sullivan, Billy Sullivan
Saturday, March 15, 2014
Walead Beshty + Kelley Walker: Hardbodies Software - Redling Fine Art - LA
Katie (who works with us at the gallery) and I are only about 5 years apart, but it seems that we sit on either side of the Orwellian divide. To give you some idea, I took word processing in school, she did not. My first month working in a gallery was spent organizing slides and 4x5s, her’s was not. My impulse is to use the gallery’s all-in-one machine to copy, she uses it to scan.
In her world hardcopies are a nuisance, it’s stuff for stuff’s sake. She sees integrity through management software; I see the potential for corruption. While I was not doing much before 1984, apparently something did stick.
more
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Friday, March 14, 2014
Anthony Pearson - David Kordansky - LA
through April 12, 2014
Over the last decade, Pearson has authored a constantly evolving vocabulary of objects and images. Common throughout this evolution are autonomous, expressive gestures on the one hand and rigorous formatting on the other. Even when it does not make a direct appearance in the work, the photographic process operates as a guiding logic for the unification of diverse materials and techniques in a harmonious vision. This is because light itself––as reflection, as ambient phenomenon, as illuminating energy––is both the physical and conceptual source of Pearson's project.
Thursday, March 13, 2014
JAMES KRONE: CATSUIT FOR MEN - Night Gallery - LA
through April 5th 2014
Night Gallery is proud to present a series of Spell Paintings in the portrait gallery by Berlinbasedartist James Krone. Using various counterfeit perfumes from which the paintings take theirnames (Catsuit for Men, Misty Cherry, Leather Woman…), Krone writes scented spells onto rawcanvas. These canvases are then lit on fire, and although the stacked letters that spell out thevarious incantations are protected by the alcohol in the perfume, the negative space betweenthem becomes charred by flames. In Krone’s work pyromancy gives formal presence to otherwiseinvisible inscriptions, creating an aesthetic rhetoric of abstraction that can only be communicated,accepted or rejected by primal, aphasic tendency.
Wednesday, March 12, 2014
Rose Marcus - Eli Ping Frances Perkins - NYC
through April 13th 2014
Following the financial crisis of 2008, Rose Marcus began photographing vacated retail spaces. The storefront glass and the disused spaces behind them presented abstractions in dust and debris, layered with reflections of New York city streets and pedestrians. Amongst the rushing figures the silhouette of a woman, camera in hand, is a recurring motif. Her reflection is bisected by the momentary frame of the reflective surface, or the more enduring frame of the composed image. She's stopped, taking the picture she's in.
Tuesday, March 11, 2014
Trevor Shimizu: Again - Canal 47 - NYC
through April 6th 2014
For inquiries about the 47 CANAL BABYSITTING SERVICE,
please contact babysitting@47canalstreet.com
Monday, March 10, 2014
ISHTAR: Charles Harlan - Venus Over Manhattan - NYC
through March 22nd 2014
Drawing inspiration from Land Art of the 1970s, Harlan avails himself of the most common materials at hand – including such hardware store staples as ladders, shipping palettes, and one-ton metal pipe – in his large industrial works. Huge in scale, Minimalist in form, and shown both indoors and out, Harlan’s art has often been referred to as Duchampian in its reliance upon readymade components, its deceptive simplicity, and it spatial humor. His stacking and layering of recognizable, utilitarian materials renders surprisingly potent forms that invite unexpected associations.
Sunday, March 9, 2014
Plop Fall the Plums: group show - Bodega - NYC
through April 13th 2014
Tomer Aluf, Sam Anderson, Tova Carlin, Rochelle Goldberg,
Carlos Reyes, Chloe Seibert
Saturday, March 8, 2014
Friday, March 7, 2014
Tuesday, March 4, 2014
Monday, March 3, 2014
Sunday, March 2, 2014
Collier Schorr: 8 Women - 303 Gallery - NYC
through April 12th 2014
The works in "8 Women" propose a variety of subjects, all of whom are involved in performance, be it as artists, models or musicians. Schorr, who has been working in fashion for the last 10 years, created sets that doubled as her studio, teasing out images that could only be made with a subject that could travel between the object of desire and the enforcer of an identity crafted in that very moment. Drawing inspiration from photo histories of female performance, film, and dance artists, Schorr began to work with models that seemed to strike a similar balance between display and authorship. Working between out-takes and manipulations of tear sheets, Schorr questions who the women that desire to be looked at are, as well as what power exists in acknowledging that as a post-feminist position.
Saturday, March 1, 2014
FULFILMENT CENTRE: group show curated by N/V_PROJECTS - The Sunday Painter - London
through March 30th 2014
Neil Beloufa, Julie Born Schwartz, Christopher Kulendran Thomas, Timur Si-Qin, Lewis Teague Wright, Tyra Tingleff
curated by N/V_PROJECTS
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