Pennacchio Argentato - The Best or Nothing - Commercial Road Project - London

through November 15th

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Daphne Fitzpatrick - Whistle and Flute - American Contemporary - NYC

through December 23rd 2012

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WE DO NOT REMEMBER THE BERLIN WALL - group show - Quincaillerie Van der Eycken - Brussels

through November 25th 2012

An exhibition curated by Emilie Pischedda and Barthélémy Schöller

Todd Von Ammon, Juliana Borinski, Alfred d'Ursel, Ben Schumacher, Aaron Bobrow, Hugh Scott-Douglas, Eric Stephany, Xavier Mazzarol, Valentin Souquet, Jonathan Sullam, Philip Vormwald, Jean-Pierre Bertrand

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Anthony Symonds - Geodesic Disco Utility - Cabinet - London

through November 10th 2012

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klaer, uglee callamari - group show - Ramiken Crucible - NYC

through  December 16th 2012

Esther Kläs, Ugo Rondinone, Matteo Callegari

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IRIS TOULIATOU - Imposed Loads and Other Masked Appearances - DUVE - Berlin

through December 13th 2012

Using architectural codes, theatrical terminology and stage mechanisms, Iris Touliatou applies combinations of dead and live loads onto the gallery’s structure.

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KARIN SANDER - h = 400 cm - Gallerie Esther Schipper - Berlin

through December 22nd 2012

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CHARLES MAYTON - THE VENAL MUSE - Balice Hertling - Paris

through December 15th 2012

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Samantha Bohatsch - Alice Guareschi - Rowena Harris - Drei - Cologne

through November 3rd 2012

Samantha Bohatsch Virginia 

Alice Guareschi Whenever Standing In Between Whiles

Rowena Harris Cold Compress

All three separate exhibition projects currently on display at DREI are based on the idea of impro theatre. Their connections are visible along the lines of artistic discourse and the production within the context of the exhibition, but also through the motif of transmission and transition. This motif is inherent to all concepts of this exhibition.

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Henning Strassburger - indexternal - Soy Capitan - Berlin

through December 15th 2012

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Gabriele Beveridge - Newly Laundered Smile - Rod Barton - London

through December 8th 2012

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John Bock - Die Walze - Eleni Koroneou - Athens

through November 24th 2012

John Bock uses the form of performance as artistic medium, combining theater, video, installation and sculpture. Most of his early actions or performances were termed “lectures” and originated in the idea of an academic lesson on economic concerns. Starting out from that basis he has developed over time increasingly complex, large-scale installations in which he employs simple everyday objects and materials, like wood, fabric, wire, cotton wadding, toothpaste, shaving cream, cleaning products, and food, which he treats and combines in unusual ways in order to create simple structures of life as well as art’s evolution into abstract forms and paranoid models. 


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