Although Emin has returned to printmaking throughout her career, this is the first time she has presented an exhibition comprised exclusively of this medium, and features a selection of work from the past sixteen years, starting in 1994. The imagery ranges from explicit nudes to little birds and squirrels, motifs often interpreted as self-portraits. Emin continues to explore the medium with great intensity, and it is here where her imagery expresses itself in its most immediate form.
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