through
June 25th 2011
Holmes’s latest sculptures and works on paper show a continued interest in proliferating proposals for contemporary funerary monuments and ephemera. The works do, however, easily depart from an explicit use-value allowing for an investment in frenzied abstraction based on a mixture of hard-edge graphic design of children’s marketing and a real investment in form, color and composition. Often borrowing from the language and motif of popular advertising, Holmes effortlessly combines a staggering array of references, images and techniques.
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