through September 3rd 2011
Multiple readings can be made between the works - the gestural surfaces of Stuart Elliot's paintings mimic the images of ruptured concrete shielded under tinted glass in Tomas Downes' floor sculptures. These in turn are reflected in the dappled faux granite and complex imagery within Gabriele Beveridges assemblages. Drawing comparisons between the pieces forces the spectator to consider the space in-between – making them receptive to their own physicality as well as that of the gallery space and the works that inhabit it.
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