through December 3rd 2011
Liam Gillick’s exhibition at Air de Paris comprises two new films and a series of new structures. The first film is derived from a filmed tour, in idealised form, of the Kalmar Volvo factory, shot in the early 1970s. The second film is developed from a short clip of a group of car workers sitting inside a metal machine press, having to bend over each time the press bears down on the metal forms they repetitively place into the mechanism. In contrast to the idealised vision presented in the Volvo film, the car workers in this case have literally become part of the mechanism of production.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.