through October 27th 2012
Matt Connors’ open-ended approach to art-making embraces movement, change and meaning. Touching and jostling, his paintings and objects are intellectual and emotional, literal and metaphorical; they give a sense of themselves as being both pictures and things. Many of Connors’ works invoke physical methods like dripping, rubbing and staining. Museum of Modern Art curator Peter Eeley writes that Connors’ paintings are “remarkable for the apparent thinness of their surface; paint ends up in them, rather than on them.”
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