through November 4th 2012
Sigurdardóttir’s predominantly sculptural practice focuses on the adapted representation, modification and containment of time, space and place - a practice whose greater intention is to eschew a conventional approach by the viewer. With architecture and landscape as sources, the artist’s sculptures use scale and distortion to focus attention on the space and perception between the viewer and the object. Using the vernaculars of architecture and topography, Sigurdardóttir creates objects with a prismatic spirit that fractures a viewer’s perspective.
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