Thursday, February 23, 2012

Ian Hales - Cole - London


through March 24th 2012

This engagement with painting is evidenced most obviously through the works residing on the wall. Whilst technically sculptures, essentially they are concerned with flatness – approached from the front they operate as abstract compositions, until they are viewed from the side, at which point they expand into three dimensions. This friction within the work is a crucial element of Hales’ practice.


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