through
In his work Alessandro Roma renders the double form of the landscape and the garden, completeness and fragment, of a defined space that safeguards within itself elements of attraction, yet which are not immediately assimilable. The paintings live in equilibrium between figuration and abstraction; the sculptures render anthropomorphic forms and the memory of atavistic containers of natural elements at the same time, while the collages are configured as sketches tracing surreal visions.
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