through May 18th
2012
An anthropomorphic entity creeps across the objects on display, yet they are also anthropological in their designs; the notion that the works are somehow reflective of their expected audience or surroundings, becoming overtly self-conscious in the process. The various sculptures have been given a life-force that they are now responsible for – enabling them but also tilting them towards narcissism. With this is mind, while Lloyd-Evans’ works are elastic and revealing, Nielsen’s conceptually “dug up” and static, and Trayte’s seemingly frozen and confined, they all present diverse relationships (whether directly or indirectly) – towards human consciousness, form or the body.
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