through August 25th 2012
RACHEL HOWARD, JANE SIMPSON AND AMELIA NEWTON WHITELAW
Gravity and Grace celebrated the transitional nature of sculpture during the late 1960s and early 1970s by presenting some of the most important and provocative works made during these years. Illustrating the revolutionary influence of Arte Povera upon sculptural practice in America and Europe at this time, the exhibition highlighted a rejection of sophisticated methods of construction and traditional materials.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.